Thursday, May 22, 2008
Thursday, April 3, 2008
THE FROZEN TUNDRA HAS THAWED.
We ran into a couple problems at the site yesterday.
First, there is a large pile of frozen mulch right where the foundation is supposed to go:
The other problem was this creepy guy...
-eha
First, there is a large pile of frozen mulch right where the foundation is supposed to go:
The other problem was this creepy guy...
-eha
Thursday, March 27, 2008
Thursday, March 6, 2008
Wednesday, March 5, 2008
Bent Structural Plywood
Check out SITU STUDIO for a great example of plywood used in structural components. Go to work> projects> CITYSOL 2007.
Sunday, March 2, 2008
Here are the threadrod canoe beams that we tested. Loaded to 685 lbs, before failure.
assembly time : half an hour.
Top spread 6 inches, bottom 14 inches.
-alex
assembly time : half an hour.
Top spread 6 inches, bottom 14 inches.
-alex
Friday, February 29, 2008
Matt Schlian
http://www.mattshlian.com/
http://www.youtube.com/watch?v=b2_wx0GracY&feature=related
As a paper engineer my work is rooted in print media, book arts and commercial design. Beginning with an initial fold, a single action causes a transfer of energy to subsequent folds, which ultimately manifest in drawings and three dimensional forms. I use my engineering skills to create kinetic sculpture which have lead to collaborations with scientists at the University of Michigan. We work on the nanoscale, translating paper structures to micro origami. Our investigations extend to visualizing cellular division and solar cell development. Researchers see paper engineering as a metaphor for scientific principals; I see their inquiry as basis for artistic inspiration. In my studio I am a collaborator, explorer and inventor. I begin with a system of folding and at a particular moment the material takes over. Guided by wonder, my work is made because I cannot visualize its final realization; in this way I come to understanding through curiosity.
The root cause of Alzheimer’s disease is protein mis-folding. The modular arrangements in which protein strands are formed, break down and incorrectly fold. This causes a chain reaction of erroneous folding. My approach to understanding this is hands on; the microscopic folds can be mapped on a human scale out of paper and used as a basis for sculpture. Expanding and contracting in response to the viewer’s physical participation, new questions are raised; how can this form generate movement? How can size relate to the body? What happens when molecular forms become life-size and inhale the surrounding space?
My drawings begin by asking indirect questions which yield no concrete answers. As with my three dimensional work, my focus is on the process rather than final product. I am fascinated with computer technology and its ability to mistranslate information. Like a game of “telephone”, multiple software programs fracture and compound text and image as they travel through different formats on the computer. Bearing little resemblance to their origin, the new information is rendered on a pen plotter creating a chaotic world rooted in happenstance. No longer legible, I see the drawings as blueprints for invisible cities, answers to questions that may unfold over time.
mr. paper engineer
http://www.youtube.com/watch?v=b2_wx0GracY&feature=related
As a paper engineer my work is rooted in print media, book arts and commercial design. Beginning with an initial fold, a single action causes a transfer of energy to subsequent folds, which ultimately manifest in drawings and three dimensional forms. I use my engineering skills to create kinetic sculpture which have lead to collaborations with scientists at the University of Michigan. We work on the nanoscale, translating paper structures to micro origami. Our investigations extend to visualizing cellular division and solar cell development. Researchers see paper engineering as a metaphor for scientific principals; I see their inquiry as basis for artistic inspiration. In my studio I am a collaborator, explorer and inventor. I begin with a system of folding and at a particular moment the material takes over. Guided by wonder, my work is made because I cannot visualize its final realization; in this way I come to understanding through curiosity.
The root cause of Alzheimer’s disease is protein mis-folding. The modular arrangements in which protein strands are formed, break down and incorrectly fold. This causes a chain reaction of erroneous folding. My approach to understanding this is hands on; the microscopic folds can be mapped on a human scale out of paper and used as a basis for sculpture. Expanding and contracting in response to the viewer’s physical participation, new questions are raised; how can this form generate movement? How can size relate to the body? What happens when molecular forms become life-size and inhale the surrounding space?
My drawings begin by asking indirect questions which yield no concrete answers. As with my three dimensional work, my focus is on the process rather than final product. I am fascinated with computer technology and its ability to mistranslate information. Like a game of “telephone”, multiple software programs fracture and compound text and image as they travel through different formats on the computer. Bearing little resemblance to their origin, the new information is rendered on a pen plotter creating a chaotic world rooted in happenstance. No longer legible, I see the drawings as blueprints for invisible cities, answers to questions that may unfold over time.
mr. paper engineer
Tuesday, February 26, 2008
Sunday, February 17, 2008
Thursday, February 14, 2008
Fibrous Structures from AA
Arkitera Workshop Blog
I came across this blog while checking out Architectural Associations website. And after just a few minutes it's pretty easy to see how relevant this workshop is to our work. It has a parametric design and prototyping focused component to it and the students are in groups like "branching" and "weaving" working on cool structures... oh yeah, and their final project is a pavillion in Istanbul...check it out.
-tom
Friday, February 8, 2008
Cal Lane, sculptor
-interesting transformations of material- steel I-beams and car parts turned into lace with an oxy-acetylene torch... lots of great stuff and higher res images on her website: http://www.callane.com/
_erik
Wednesday, February 6, 2008
Bricks have to be stacked perfectly, right?
-Go to Gramazio & Kohler's page and click on TEACHING and go through the links.
http://www.dfab.arch.ethz.ch/?lang=e&loc=DFAB&this_page=home
-Pretty cute.
_Ian
Monday, February 4, 2008
Theo Jansen -- Kinetic Sculptor
These Videos will blow your mind.
http://www.youtube.com/watch?v=FMqftVhOuTw
http://www.youtube.com/watch?v=Y2KkGFuRLew&feature=related
http://www.youtube.com/watch?v=a7Ny5BYc-Fs
_alex
Sunday, February 3, 2008
Matthias Pliessnig
Matthias Pliessnig lives in Madison. Let's go knock on his door.
Look at his website, these images only scratch the surface:
http://www.matthias-studio.com/
_Ian
Look at his website, these images only scratch the surface:
http://www.matthias-studio.com/
_Ian
Saturday, February 2, 2008
Thursday, January 31, 2008
Ned Kahn
Ned Kahn, artist.
fog/water/fire/light/WIND/sand
check out the videos
technorama facade, wind portal, fragmented dunes, wind veil
[http://nedkahn.com/videoGallery.html]
John K. Melvin Artworks
http://www.johnkmelvin.com/
-follow the link to the Aven Project on the left bar.
John K. Melvin does a lot of interesting art installations, obviously more transient than what we are undertaking, but the ideas of creating a whole new canvas in which the site conditions can impact is quite compelling.
Other interesting installations he has done include: 800 balloons, 18v5, PA-SDW.
explore the site if you like...
Ian
ILLY FRESH PHRASES
“WEAVING produces strength by combining two weak systems in a reciprocal pattern”
“BLENDING is a fundamental technique in the act of negotiation”
“Following the rule of self similarity, CRACKING gives a sense of the larger whole”
“SPIRALING produces a shape unlike any other because it is seldom expirienced as geometry but rather as energy”
“PACKING produces stability through adjacency”
“FLOCKING finds order through entropy”
-pamphlet architecture 27_Tooling
“BLENDING is a fundamental technique in the act of negotiation”
“Following the rule of self similarity, CRACKING gives a sense of the larger whole”
“SPIRALING produces a shape unlike any other because it is seldom expirienced as geometry but rather as energy”
“PACKING produces stability through adjacency”
“FLOCKING finds order through entropy”
-pamphlet architecture 27_Tooling
Wednesday, January 30, 2008
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